国外小组科研—性别研究专题：镜头下女性力量的觉醒，世界近代电影艺术中的“女性主义”根源解析

开始日期：

2023年12月16日

专业方向：

人文社科

导师：

Holly（南加州大学 (USC) 终身正教授&媒体艺术系主任）

课程周期：

7周在线小组科研学习+5周不限时论文指导学习

语言：

英文

建议学生年级：

大学生 高中生

项目产出：

7周在线小组科研学习+5周不限时论文指导学习 共125课时 项目报告 优秀学员获主导师Reference Letter EI/CPCI/Scopus/ProQuest/Crossref/EBSCO或同等级别索引国际会议全文投递与发表指导（可用于申请） 结业证书 成绩单

项目介绍：

When we think about cinema, the images that often come to mind are of famous movie stars who dominate the screen with their incredible talent and beauty. Indeed, within cinema, very often these stars are women who are represented as something “to be looked at,” and much of the history of cinema has used the female as a spectacular object of desire. Feminist theory unravels this history, showing how and why cinema has tended to represent women in this way while also introducing a history of alternative visions of the female often created by women filmmakers. This course traces the history of international feminist film theory, from its origins within a narrowly defined academic realm to its current moment when attention to the complexities of gender studies, intersectional perspectives, and diverse aesthetics makes the topic global and relevant. We will cover the key topics related to gender in film, including the gaze, counter-cinema, subjectivity, sexual difference, film genres, and psychoanalysis; we will view iconic examples of these concepts; and we will screen a number of films that showcase a broad and global array of understandings of feminist and intersectional cinema. Students will learn how to engage critically with films as texts, with attention to the notions of identification, the apparatus, point of view, and narrative structure. Students will leave the course with a solid understanding of foundational film aesthetics and the skills for visual analysis of cinema. 本项目追溯了“女性主义”在全球电影艺术理论中的历史，从起源：狭隘的学术领域，到发展成果：当前多元化的“女性力量”体现，项目关注性别研究学习中的的复杂性、交叉视角和多样化的美学，也使得该主题具有全球性和多源关联性。项目通过“女权主义”理论分析了电影艺术中的女性角色塑造，展示了电影如何以及为什么倾向于以“物化”、“标签化”这类方式代表女性，同时也介绍了女性电影导演经常创造的另类女性视角的历史。项目将涵盖与电影中的性别相关的多个关键话题，包括凝视（gaze）、反电影（counter-cinema）、主观性（subjectivity）、性别差异（sexual difference）、电影类型（film genres）和精神分析（psychoanalysis）。导师将带领学生对以上概念的标志性例子进行分析，通过具体影片，展示全球范围内对女权主义和交叉电影的广泛理解。学生将学习如何批判性地将电影分为文本，身份认同感、工具、观点和叙事结构的几个概念集合。目的旨在让学生将对基础电影美学和电影视觉分析技巧有一个坚实的理解的同时也对“女性主义”本身产生正确的认知和理解。